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Archive for February, 2012

After the mordanting, the (so much more rewarding) dyeing. Four hours straight on a blustery day. I shared the dye pots with Annette who creates lovely needle felted things. She dyed roving, I dyed my linen and cotton fabrics and thread.

This was the set-up, on the sidewalk in front of Craftology: two heavy-duty gas camping burners, a lot of pots filled with the most interesting dye stuff and a clothes line. We switched out pots, as they became too cold and rotated colors. Indigo was definitely a favorite of both of us. It is just such a thrill to take out your piece and watch it turn the loveliest blue as it reacts with the oxygen.

This is the cochineal pot in front, the only not exactly plant-dye of them, since cochineal is a tiny bug, which, when dried and ground,  releases a deep pink (sometimes red, depending on water quality, heat, concentration and other temperamental circumstances).

This is Brazilwood. It yields this perfect warm shade of brownish-reddish-orange.

This was an experiment with lichen, but it didn’t give off a lot of color at all. It could be the way it was set up or our half-hearted try, distracted by the more flashy and vibrant colors we had available.

These are other trials Diana got passed on from somebody. They certainly looked interesting, but didn’t show stunning results. Same as above, I guess.

Despite the picture being a little dark you can see the bright yellow of Osage Orange in the back. It is the bark of the Osage Orange tree that performs this trick.

A good sunny spot for drying my embroidery/crocheting thread.

Brazilwood and madder root.

Cochineal – what an amazing pink!

This is how I felt after hours of dipping things into dye pots, exchanging rinsing water in big buckets, pondering about color combinations and sequences and withstanding the wind. Thank you, Diana, for a wonderful day and such a lovely result!*

*I will have to take pictures of my washed and folded fabric, the harmony of the colors is really something else…

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My daughter (who is turning 12 in May) asked me whether she could show her first sewn garment, a lovely blue and red skirt, after an old Simplicity pattern. I showed her how to take measurements, how to trace the correspondent pattern pieces and how to lay them out and cut out your pieces, and then, of course, the process of sewing it up, zipper and all. She is a very patient and willing student, she listens to advice and can take a little criticism well. She will just rip things out and start over, no complaints, no heavy sighing, no giving up. This most amazing perseverance is such a great tool for handling a lot of things that life will yet throw at her, not only craft projects.

So her she is:

Little brother saw his chance to be on camera and came to show his “Baby Doll” (that’s her name), a Waldorf so-called Heavy Baby (filled with several pounds of millet and lavender) that I made for him for Christmas last year.

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Donation items

I finished the items that I was going to (and did) donate to my children’s school’s fundraising auction. They will go on the silent auction tables (among a fantastic amount of other donated goodies) and hopefully raise a bit of money, so that the school can supply the students with arts materials and handwork equipment and such things. Essential things, really, for our type of school, but unfortunately the school district’s budget doesn’t cover a lot of them. Like I said, maybe this will help a little:

* a felted fairy wreath and cape, modeled as usual by my patient daughter

* a vintage-style sewing basket, which started out as a cute little basket with a lid and received a make-over

The sewing kit was inspired by a Zakka book I got last Christmas and that has cute projects – check it out: I (heart) patchwork, by Rashida Coleman-Hale

* a wet-felted book cover with some free-style embroidery

As to free-style embroidery, I took an online class in 2010 with Anne Lange (go to link “online Kurse”), a German embroiderer and I can highly recommend it. You get assignments and instructions every month, together with the most beautiful embroidery thread, that Anne dyes (and sometimes spins) herself. In an online forum that you share with your classmates you can ask questions, discuss progress and share and compare your work. It was a lot of fun, I learned an amazing amount of stitches and absolutely cherished the materials to work with. I still have a lot of leftover threads (some of which I used in the book cover project).

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Remember this?

Well, they’ve been finished for a while, but only now did I manage to find enough time to actually put them in my brand new Etsy shop. So hop on over and have a look, pass on the word and check in often, as new things come in. For now it’s six different colors of sand-filled, felt-covered little weights with a number of uses: pincushions (the sand even sharpens your needles), paper weights, napkin holders, decoration items, meditation weights. Can you think of anything else? The sand is securely contained in a separate cotton pouch inside the wool felt cover – oh, which reminds me: they could also be used like bean bags by the kids (if you let them).

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This Thursday I am going to use Diana’s dye pots at her beautiful crafting space Craftology. She is a master of natural plant-dyeing and I have used her plant-dyed wool felt, silk and embroidery floss in many a project before. A few years back I took one of her dye classes that she co-taught, and hosted a dyeing party at my own house shortly after. But since I am (still?) a novice at this art I found it to be difficult to juggle different dye-pots at different temperatures and with different requirements, apart from the fact that you need a certain basic equipment to do this and my two flimsy camping stoves weren’t very helpful.

Now that I have collected a stash of table linens, cotton and linen yardage as well as cotton and linen embroidery thread that I all want to use for various KlaraLuna projects in the near and far future, I asked Diana’s help with dyeing them. She instructed me how to prepare my fabric and thread in order for them to accept the dye in the most favorable and lasting way possible. So, this is what I did started yesterday.

Above is the basket of above mentioned fabric; with the help of my nearly 12-year-old we wound 10 skeins of cotton and linen thread…

…and off they went to their first out of three mordanting baths, the alum bath. Simmer for one hour, let cool overnight. I used the stick for stirring and pushing the billowing fabric back into the water, which meant an avalanche of alum water onto my kitchen stove every time, until I had enough and wedged the stick between the dye pot and the ventilation hood above it. This kept the fabric down and I could actually step away from it for more than five minutes.

This morning I took out the fabric etc., threw out the alum water and started the tannin bath. This three-step process is necessary only for cellulose fibers, or plant fibers. It is a simpler process for animal fibers. The second bath asks for tannin, which I got by boiling oak galls, and soda ash, or sodium carbonate, which I could not find in two of my local grocery stores, nor a drugstore nearby. I had baking soda – so I learned through heavy googling that I can turn my baking soda (sodium bicarbonate) into sodium carbonate by cooking it at high heat (400 degrees Fahrenheit) for a long time (1 hour). I did that last night. This is what the “soup” looked like…

The brown color of the water doesn’t dye the fabric, by the way. Simmer for half an hour, let cool in tannin bath. And this is where everything is at right now. Tomorrow morning, after thorough rinsing, follows a second alum bath, and then I’m done and can take my wares to Diana’s. But I’m sure it will be all worth it! Results will follow.

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When my mother was a young woman she trained to be a Kindergarten teacher, where she also learned all kinds of needlework techniques and how to make different toys. I still remember playing with a boy and a girl doll that she had made including all their tiny knitted and sewn clothes.

One of the things that ended up in my possession and is a real treasure to me is her cross-stitch embroidery sampler book. Every sample is drawn on paper (I assume they were all original creations) and then executed on a  piece of threaded fabric. This lovingly produced little book has served me as inspiration many times before and I love the continuation of a family tradition of making things.

Talking about family traditions, my mother’s mother was a master dressmaker, who brought up her four children as a widow after World War II by sewing clothes for the wealthy. I have always been proud of that fact, and when I started my own dressmaking apprenticeship I had this same warm and meaningful feeling of continuation. In fact, my favorite pair of fabric shears used to belong to my grandmother, and they are used regularly and with this I keep her memory and honor her life’s work.

As a child this following page was my all-time-favorite. I don’t know how many times I embroidered those animals onto Barbie clothes and whatever else I chose to make.

I am also busy with finishing a few items that I will donate to my children’s school’s annual big fundraising auction. There will be a felted book cover, inspired by Jana,

a sewing basket, and a little girl’s fairy cape and wreath that I am currently working on.

I finished this, and I will show you all the details of these colorful multipurpose felt weights as soon as I have set up my Etsy store…

So, once again, here is to all the creative women in my family and all their inspiration, all they taught me and their love and support! I am forever grateful.

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A winter’s day

After one (1) day of rain yesterday, these are impressions from my neighborhood while walking the dog this morning.

The forecast for the rest of today: sunny, 0% chance of rain, high temperature 21 Celsius.

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I carry a small pocket calendar in my purse (yes, I know, other people use their phone for this, but I still prefer pen and paper). Only (!) one month into the new year I finished a new cover for it. Made out of the plant-dyed wool felt that I like using, embellished with some beads and a bookmark – now it is even more fun taking it out to add whatever is worth noting.

Since this is just the type of detailed project I love I will definitely sew more of that kind of cover for notebooks in general, not necessarily just calendars. Small and not-so-small journals, sketchbooks, that kind of thing. I will show you!

My kitchen window got a little improvement, too. With the intention of covering up shutters that nobody ever closes and adding a little coziness, I attached velcro to a leftover piece of fabric (the main part of which covers the backyard patio table during the summer months) and the corresponding velcro strip to the wall above the window – easy to take down and throw in the wash. So much nicer!

Speaking of coziness, I will leave you with a recipe for spending a happy afternoon: take a beloved sibling and a good book, add a healthy snack and a big armchair – combine all ingredients and enjoy!

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